{"id":60818,"date":"2021-01-13T17:14:59","date_gmt":"2021-01-13T17:14:59","guid":{"rendered":"http:\/\/rafacastaner.com\/?p=60818"},"modified":"2026-02-05T15:48:36","modified_gmt":"2026-02-05T14:48:36","slug":"data-drawing-clases-en-el-madd-master-in-data-and-design-de-elisava-2020","status":"publish","type":"post","link":"https:\/\/www.rafacastaner.com\/ca\/data-drawing-clases-en-el-madd-master-in-data-and-design-de-elisava-2020\/","title":{"rendered":"Data & Drawing. Clases en el MADD (Master in Data and Design) de Elisava 2020."},"content":{"rendered":"

La mirada humana ha sido, desde tiempos prehist\u00f3ricos, una herramienta de recopilaci\u00f3n de datos.
\nUn registro casi cartogr\u00e1fico de detalles vistos, pero tambi\u00e9n imaginados.
\nUna herramienta de aproximaci\u00f3n a un posible escenario de caza.
\nUna opini\u00f3n expresada a partir de la acumulaci\u00f3n de experiencias y, finalmente, una decisi\u00f3n, una apuesta.<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

Lo que vemos y describimos contiene toda la informaci\u00f3n que podemos nombrar y toda la informaci\u00f3n que podemos sentir.<\/p>\n

Originalmente el dibujo estaba en el mismo lugar que las palabras y las matem\u00e1ticas.
\nDibujar algo es llamarlo, nombrarlo, explicarlo.
\nEl ser humano, desde el principio, ha tenido la necesidad de comunicar al resto los datos recogidos sobre el territorio.
\nMuch\u00edsimos miles de a\u00f1os despu\u00e9s, aqu\u00ed estamos, con herramientas tecnol\u00f3gicas sofisticadas, haciendo exactamente eso: recoger datos, darles una forma comunicable, un nombre posible, una manera de llamarlos y transmitirlos al resto.<\/p>\n

Junto a Paad\u00edn (www.paadin.eu<\/a>), el profesor que gu\u00eda este m\u00e1ster, hemos ofrecido a sus alumnos una manera de acercarse a la interpretaci\u00f3n e ilustraci\u00f3n de datos que pasase por la recuperaci\u00f3n del lugar de origen de esta necesidad.<\/p>\n

Encontrar una v\u00eda paralela desde el dibujo que no sea la representaci\u00f3n formal ni la copia del natural.
\nUn sitio propio, un lenguaje que tampoco sea un acto mec\u00e1nico, una cuenta.<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

Buscamos acompa\u00f1ar a los alumnos y alumnas hacia una forma particular, suya, de construir una idea del lugar y de lo que ocurre en \u00e9l.
\nUna manera de caminar hacia atr\u00e1s en el proceso de aprendizaje, en el caso de quienes aprendieron dibujo art\u00edstico, hasta reconocer de nuevo los factores b\u00e1sicos de esta disciplina y reordenarlos.
\nY para quienes no tienen un bagaje de dibujo de representaci\u00f3n, partir de un punto lo m\u00e1s neutro posible y aprender sencillamente a escuchar las herramientas.<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

Nuestro objetivo en esta aventura colectiva es dotarlos de una amplia gama de estrategias para utilizar los conceptos b\u00e1sicos del dibujo como herramientas de recopilaci\u00f3n y representaci\u00f3n de datos, y que tengan un mejor conocimiento de sus capacidades para la expresi\u00f3n sensible de informaci\u00f3n. No es poco.<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

\"Rafa<\/p>\n

Para conseguir esto, con Pad\u00edn armamos una bater\u00eda de propuestas en la Plaza Real, siempre dentro de sus l\u00edmites, en ejercicios por parejas o peque\u00f1os grupos, donde cada persona se ocupa de una categor\u00eda en una unidad de tiempo (sonido, movimiento, cantidad en el espacio, densidad, textura).<\/p>\n

Un reto enorme, un viaje en tiempo real desde el interior del lenguaje.
\nUna aventura, desde luego, sin mapa ni manera conocida de c\u00f3mo llegar.
\nLlegamos y disfrutamos mucho del viaje.<\/p>\n

Aqu\u00ed os dejo un retrato hecho por todo el grupo, un retrato que me hicieron por petici\u00f3n m\u00eda el primer d\u00eda, con la mascarilla puesta y sin apenas presentaci\u00f3n, pero con toda la informaci\u00f3n intuida de lo que pasar\u00eda los d\u00edas despu\u00e9s.
\nMe encant\u00f3, gracias.<\/p>\n

\"Rafa<\/p>\n","protected":false},"excerpt":{"rendered":"

La mirada humana ha sido, desde tiempos prehist\u00f3ricos, una herramienta de recopilaci\u00f3n de datos. Un registro casi cartogr\u00e1fico de detalles vistos, pero tambi\u00e9n imaginados. Una herramienta de aproximaci\u00f3n a un posible escenario de caza. Una opini\u00f3n expresada a partir de la acumulaci\u00f3n de experiencias y, finalmente, una decisi\u00f3n, una apuesta. Lo que vemos y describimos […]<\/p>\n","protected":false},"author":1,"featured_media":62755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[43],"tags":[],"class_list":["post-60818","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria"],"acf":[],"yoast_head":"\nData & Drawing. 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